E-mail:
info@luigilanaro.info
| Master Luigi Lanaro was born to Mason (Vi) 4
-12 - 1920, his artistic formation begin in 1935 in the school of art and works and
laboratories of carving and sculpture of wood "Pietro Selvatico" of Padua under
the guide of the Master carvers Umberto Businari (said Boni) and Guido Dandolo.
Contemporarily it studies music with the intent to play the violin, instrument that
disclosed his true vocation, such that to investigate it under the functional and
physiological aspect, analysing the structure and the physical |
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phenomenons on it.
He studies violin with the Prof. Eugene Brancaleon of Padua, frequents courses of
physics and technology of the wood and at the same time receives practical orientations of
luthery from Ferruccio Graziani of Albignasego PD that, not practising the profession for
health reasons, had acquired also notions to make violin from the well known Luthiers
Pietro Meneghesso of Padua and from Andrea Bisiach of Milan.
From 1946 to 1949 attends the violin maker laboratories of Mastrers Giuseppe
Pedrazzini of Cremona, Milan and Brescia, and Gaetano Sgarabotto of Vicenza.
At the same time manages the activity of violin maker, restore and creator in
Padova and his works are appreciated by famous musicians and from experienced Luthiers.
At the same time, addresses his brother Umberto to the art of Luthery.
Umberto will follow him later on to Buenos Aires in Argentina.
Introduces some works in two contest only: to Cremona, where a special prize is
assigned to him in 1947 and in the review of Bagnacavallo in 1981 where receives the
first, third and fourth prize; "unique" case because gives more importance to
the diffusion of his fame, derived by the sound of his instruments, that the ones coming
from contests or reviews.
In 1949 he is transferred and works to Buenos Aires.
In 1955 he is invited to Mexico city as official expert to make violins, requested
by the Government, founds the first school of luthery in the American continent that
directs for over 20 years and from which professionals that operate in Mexico have gone
out, in the U.S.A. and in France (Paris), besides his son Roberto that, grown under his
experienced guide, currently work in Padova with authoritative professionalism.
In Mexico city he studies cello with Prof. Ralph Norman, and in collaboration with
university teachers, he performs searches on the mechanics and dynamics of the acoustic
vibrations in the bow instrument, studying botany and technology of the tropical woods.
Re-entered in Italy in 1973, he works one year in Siena and following in Padua,
continuing the activity of violin maker and researcher on the physical principles that
involve the bow instruments and on the technique and the methodology of the ancient
luthery in Italy.
In 1975 he publishes the first book of didactic " La liuteria classica e il
liutaio moderno " edit from G. Zanibon, PD; in 1987 he publishes the brochure "
norme orientative per il giovane musicista" (G. Zanibon, PD) and finally in 1993 a
synthesis in preliminary form "The check-up in liuteria ".
In synthesis, Master Lanaro’s operational activity includes the study of some
phonogeni phenomenos and combined problems related with the classical style to make
violins, the teaching and the technical consultation, the construction of a conspicuous
number of instrument and bows, (over 380 instruments between violins, violas, cellos,
bass, violas of love and bows of every type and style), the restore of bow and ancient and
modern instruments, theoretical and practical seminars of luthery and organology, as in
the American Continent as in Italy.
In 1983 withdrawn the activity leaving his laboratory
of court S. Clemente 12, PD, to his son Roberto and he is transferred to Abano Terme (PD)
to devote to the searches exclusively on mechanics and energetic dynamics working in the
bow instrument, which constitute the matter of this treatment. |
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